The forthcoming NZ launch of Catalyst volume 20 marks twenty years of independent publishing for the literary arts journal based in Waitaha - Canterbury.
Founded in the extinct volcano of Lyttelton Harbour, Whakaraupo by editor Doc Drumheller with collaborator Ciaran Fox, the then new kid on the block of NZ literary journals started a poetry open mic and print journal in 2003. The project developed out of creative writing workshops facilitated by Doc Drumheller at underground arts venue, gallery and workspace, Creation. Participants dreamed up the name Catalyst as a signal that the new journal was aimed at shaking up the poetry publishing scene and opening space for young and emerging poets unable to access more established, literary or academic creative writing journals and publications and present them alongside renowned poets from Aotearoa and beyond.
Catalyst has always shown an interest in poetry fusions, experimental writing and forms, and particularly, other languages. The first ten years of Catalyst saw poetry presented in translation from half a dozen different languages and cultures. Since then, Doc has travelled to numerous countries presenting Catalyst and building an international friendship and reputation while bring home to Aotearoa feature sections of poetry from around the world. Volume 20 features poetry from China and Israel.
The visual elements of Catalyst have also reflected an interest in design and art from the fringe. With a strong focus on Aotearoa artists both locally based and international, the journal always features a strong visual aesthetic and has occasionally included pageworks of poetic/design fusion on the front and back covers as well as internally.
In keeping with this experimental aesthetic, Catalyst also began publishing recordings of spoken word in collaboration with composers, sound artists and songwriters, produced by Jody Lloyd aka Trillion. Three volumes of spoken word/sonic collabs were released on CD.
The interest in spoken word and performance was baked into the DNA of Catalyst as the open mic grew up alongside the journal. The first poetry slams in Christchurch were organised by the Catalyst crew at the Wunderbar in Lyttelton, eventually morphing into a slam show known as Poetry Idol. With the advent of the NZ Poetry Slam national competition, Catalyst continues to host the Ōtautahi Poetry Slam. Not content with introducing Christchurch to the entertainment potential of slam, Catalyst developed a new show for the Christchurch Writers Festival based on a mash-up of slam, improv and reality TV, known as Survivor: Poetry. 'Survivor' was staged in three successive WORD Christchurch festivals. Rumour has it, it may be down, but not out.
The first ten years saw Catalyst published under the imprint of Neoismist Press. With volume 10, Neoismist was retired and The Republic of Oma Rāpeti Press was born. The Press has its own flag and continues to establish a sovereign nation for poets and poetry. In 2014, it launched the first volume of an emerging poets series called Republic of Poets. The format presents longer selections from three feature poets. Volume 2 is a twinkle in the eye.
Scroll forward and Catalyst volume 20: Oma, oma, oma! was officially welcomed in the Mediterranean at the World Congress of Poets 2023. Doc Drumheller is now a member of the executive board of WCP and founding editor of official WCP international journal Fuego.
Catalyst remains a proudly print-based journal and continues to showcase local and international writers to a global audience. The Republic of Oma Rāpeti Press continues to publish chapbooks (Catalyst Christmas Cracker) and in its own 10th anniversary, also released the first collection by co-founder Ciaran Fox titled They Crackle in the Rain which was shortlisted as an unpublished manuscript for the inaugural John O'Connor First Book Award in 2022.
1 comment:
Where can we buy #20?
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